Theatre in Bharat and Greece: A Comparative Study

Authors

  • Dr. Kunvar Shekhar Gupta Assistant Professor Department of Applied Sciences & Humanities Shambhunath Institute of Engineering and Technology, Prayagraj, U.P., India

DOI:

https://doi.org/10.53032/tvcr/2024.v6n4.07

Keywords:

Nāṭyaśāstra, Greek drama, Rasa theory, Catharsis, Bharatamuni

Abstract

This study compares the theatrical traditions of ancient Bharat and Greece, highlighting their lasting influence on global drama. Bharat’s theatre, rooted in the Nāṭyaśāstra, emphasized spiritual and moral enlightenment through rasa, epic narratives, and cosmic harmony. Greek theatre, emerging from Dionysian festivals, focused on human suffering, ethical dilemmas, and catharsis, shaped by playwrights like Sophocles and theorists like Aristotle. While Bharat’s theatre promoted dharma and moksha, Greek drama encouraged civic reflection and philosophical inquiry. Despite differing foundations, both traditions reflect the universal power of storytelling to educate, inspire, and shape cultural identity.

References

Aristotle. Poetics. Translated by S. H. Butcher, Oxford UP, 1997.

Banerjee, Suresh. The Legacy of Sanskrit Drama. Penguin Books, 2002.

Ghosh, Manomohan. Nāṭyaśāstra. Translated and Edited by Manomohan Ghosh, Manisha Granthalaya, 1950.

Hall, Edith. Greek Tragedy: Suffering Under the Sun. Oxford UP, 2010.

Pasolini, Pier Paolo. Medea. Adaptation, 1969.

Cacoyannis, Michael. Electra. Adaptation, 1962.

Vatsyayan, Kapila. Bharata: The Nāṭyaśāstra. Sahitya Akademi, 1996.

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Published

2024-10-31

How to Cite

Dr. Kunvar Shekhar Gupta. (2024). Theatre in Bharat and Greece: A Comparative Study. The Voice of Creative Research, 6(4), 49–57. https://doi.org/10.53032/tvcr/2024.v6n4.07

Issue

Section

Research Article

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