Partition, Violence, and Human Identity in Bapsi Sidhwa’s Ice-Candy-Man
Keywords:
Partition, communal violence, feminism, identity, trauma, nationalism, displacement, innocenceAbstract
Bapsi Sidhwa’s Ice-Candy-Man is one of the most significant Partition novels in Indian English literature. Set against the backdrop of the Partition of India in 1947, the novel vividly portrays the communal violence, displacement, trauma, and psychological fragmentation experienced by ordinary people. Narrated through the innocent perspective of Lenny, a young Parsee girl, the novel explores the destructive impact of religious hatred and political manipulation on human relationships. Sidhwa highlights the suffering of women during Partition, the collapse of communal harmony, and the complexities of identity in a divided nation. Through powerful symbolism, realistic characterization, and historical insight, Ice-Candy-Man becomes both a historical document and a humanistic critique of violence. This paper examines the themes of Partition, communalism, gender violence, innocence, identity crisis, and narrative technique in the novel.
References
Butalia, Urvashi. The Other Side of Silence: Voices from the Partition of India. Duke UP, 2000.
Menon, Ritu, and Kamla Bhasin. Borders and Boundaries: Women in India’s Partition. Rutgers UP, 1998.
Sidhwa, Bapsi. Ice-Candy-Man. Penguin Books, 1988.
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Viswanatha, Vanamala. “Narrating Partition: Bapsi Sidhwa’s Ice-Candy-Man.” Journal of Commonwealth Literature, vol. 29, no. 2, 1994, pp. 45–57.
Yaqin, Amina. “The Trauma of Partition in Bapsi Sidhwa’s Fiction.” South Asian Review, vol. 24, no. 1, 2003, pp. 36–52.
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