Structure of Conjuncture: Synthesis of Art and Literature in Viswajyoti Ghosh’s Delhi Calm
Keywords:
Structure of Conjuncture, Emergency, History, Delhi, PanelsAbstract
The paper examines how the structures of visual art combine with the discourses of history and literature to recreate the Emergency, particularly its impact on the urban landscape of Delhi, as presented in Delhi Calm by Vishwajyoti Ghosh. Graphic techniques incorporated in the novel have a seminal function in effectuating the designated meaning. The study places art in tandem with literature to critique society and individuals. Graphic narratives, through their meticulous depiction of scenes, highlight implied meanings and subtle nuances. The article highlights how graphic literature, unlike verbal literature, provides a close-up understanding of political figures in India, journalists, and the capital city of Delhi. Graphic novels offer rich possibilities for social criticism through their symbolic modes and patterns.
References
Ayyeswarya J, and Punitha S. “Exploring Materiality, Affect, and Urban Rhythms in Vishwajyoti Ghosh’s Delhi Calm.” International Journal of English and Studies (IJOES), vol. 7, no. 10, Oct. 2025, p. 509.
Ghosh, Vishwajyoti. Delhi Calm. HarperCollins India, 2010.
Holmberg, Ryan. “Inverted Calm: An Interview with Vishwajyoti Ghosh.” The Comics Journal, 23 Oct. 2013, www.tcj.com/inverted-calm-an-interview-with-vishwajyoti-ghosh/.
Nayar, Pramod K. “Postcolonial Demo-graphics: Traumatic Realism in Vishwajyoti Ghosh’s Delhi Calm.” Postcolonial Comics: Texts, Events, Identities, edited by Binita Mehta and Pia Mukherji, Routledge, 2015, pp. 131-41.
Nayek, Debanjana. “The Experience of Trauma in Two Indian Graphic Novels, Delhi Calm and River of Stories.” Dissertation, Jawaharlal Nehru University, 2016.
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