Textual Labyrinthine Spaces in the Select Works of Isabel Allende
DOI:
https://doi.org/10.53032/tvcr/2025.v7n3.14Keywords:
Post Boom, Chilean official history, Pinochet, labyrinths of power structures, class differences, textual labyrinths and empowermentAbstract
The chaotic political history of Chile has long been scrutinised by writers who have recognised the importance of addressing alternative histories of suppressed groups on the land through their literary narratives. Chilean novelist Isabel Allende belonged to the group of writers who had adopted several narrative strategies to expose alternate histories in order to make the readers understand the power plays inherent in their land. The textual architecture of the labyrinth, a concept discussed by Faith N. Mishina in Gabriel García Márquez: A Subversive Agenda, can be applied to the works selected for discussion in this paper. This concept works against the labyrinths of power structures, class differences and other hidden agendas generated by the authorities to safeguard their political motives without any form of resistance. How the select literary narratives of Isabel Allende deconstruct such labyrinths used to trap common people is the central concern of this paper. The empowering nature of textual labyrinths is also discussed in this paper.
References
Allende, Isabel. The House of the Spirits. Random House, 2011.
---. Of Love and Shadows. Simon and Schuster, 2016.
---My Invented Country. Harper Collins, 2004.
---“Writing as an Act of Hope.” In Paths of Resistance: The Art and Craft of the Political Novel. Edited by William Zinsser, Boston, 1989, pp.39-63.
Mishina, Faith. Gabriel García Márquez’s Subversive Agenda. Common Ground Publishing, 2016.
Cox, Karen Castellucci. Isabel Allende. Greenwood Publishing Group, 2003.
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