The Mirage of Appearance in Neil Gaiman’s Neverwhere
DOI:
https://doi.org/10.53032/tvcr/2025.v7n3.01Keywords:
Perception vs. Reality, Surreal Landscape, Illusions, Deception, Societal NormsAbstract
Neil Gaiman’s acclaimed narrative Neverwhere investigates the intricate relationship between perception and reality. Set in the surreal landscape of London Below, the story serves as a rich tapestry of illusions, where characters and settings often mask deeper truths. This analysis examines how Gaiman employs the fallacy of appearance to reveal the complexities of identity, belonging, and societal expectations. Through a close reading of pivotal scenes and character transformations, the article illustrates how Gaiman crafts a world where the superficial often obscures the genuine, prompting readers to question their assumptions about truth. The study further explores the thematic implications of these illusions, demonstrating how they reflect broader societal issues such as class disparity and the nature of reality in urban life. By engaging with concepts from philosophy and literary theory, the article argues that Gaiman's work transcends mere fantasy, offering a poignant critique of contemporary society’s tendency to prioritize appearances over authenticity. Ultimately, this exploration of Neverwhere underscores the importance of discerning the unseen truths that lie beneath the surface, inviting readers to navigate the complexities of perceptions.
References
Areopagite, P. T. (2022). Heavenly hierarchy. DigiCat.
Gaiman, Neil. Neverwhere. Headline Publishing Group, London, 2013
Good News Bible. Catholic Edition, Today’s English Version, Published by Society of St Paul, India, 2019-20
Lawrence, Francis. Director Constantine. United States, 2005
Linn, B. (2000). CliffsNotes on Milton's paradise lost. Houghton Mifflin Harcourt.
Pseudo-Dionysius. (1981). The ecclesiastical hierarchy.
Stewart, Scott. Director Legion. United States, 2010
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 The Voice of Creative Research

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.